
New Show by Eleanor Carlingford: Inaccessible From Sea
We’ve represented Eleanor Carlingford for near 8 years and every time we open a new show, it stands for something far greater. She moves with ease,
We’ve represented Eleanor Carlingford for near 8 years and every time we open a new show, it stands for something far greater. She moves with ease,
Eve McGlynn’s abstract expressive paintings first caught our eye during her highly successful Graduate show (DJCAD ’20). And you may have spotted her work featuring
Elliot Killick kicks off 2021 with his stunning collection of oil paintings. These works formed part of his final Masters Show (DJCAD ’20), where he
Glasgow based printmaker Richard Marsden’s work is distinct – bold colours, sharp lines and precise compositions. Clean and effortless. Originally from Leeds, Richard moved to
Scottish artist Christian Kerr joins the gallery this July, with his work featuring in our annual Best Of Scottish Art Schools Show 2020. Through his
Coll Hamilton Glasgow based fine artist Coll Hamilton’s works are narrative driven figurative paintings and studies. His distinctive use of line-work is thanks in apart
Northumberland based contemporary painter John Parkin is best known for his iconic falling Astronauts. He looks at a mixture of scientific human endeavor; factual and
Louise Howard has been painting ever since she can remember. Having refined her practice over the past 15 years, her current body of work is
Shanshan Jiang’s work explores the living state of human beings, the natural environment and how they coexist with each other. The environment is observed from
While 2020 has given us quite enough fear to be going on with, Halloween’s impending approach invites reflection upon the place of fabricated fear in the history of European art. Today, a plethora of art and entertainment, from horror films
Last time we introduced the basis for determining the price of an artwork; and we considered why aesthetics – the visual form of an artwork, created through skilled practice – does not exclusively correspond to how much a work is
Art costs money. You heard us. You need cold hard cash to take home any of the work gracing our gallery walls. And if you waltz into Sotheby’s, Christie’s, and the like, you’re going to need stacks of it. At
We like flowers. How edgy of us. But we do! We can’t pretend otherwise to maintain our too-cool mystique (don’t laugh!). This declaration is not only born of the UK’s current obsession with gardening amidst the Stay at Home (and
Sign up to see it first, from private show invites to first look at new art.
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